1026 Queen Street W.
Toronto, ON, M6J 1H6
info@bulgergallery.com
Tel: 416-504-0575
Fax: 416-504-8929
Hours: Tuesday to Saturday 11am - 6pm
As well as by appointment or by chance.
Year Established: 1994
SELECTED ARTISTS
Estates:
Reva Brooks
Douglas Clark
Gerry Deiter
Lutz Dille
Robert Giard
Richard Harrington
André Kertész
Volker Seding
Fritz Spiess
Harry Waddle
Bob Willoughby
C.D. Woodley
Artists:
Benoit Aquin
Dick Arentz
Jaret Belliveau
Phil Bergerson
Marco Bohr
Robert Bourdeau
Peter Brown
Robert Burley
Canadian Press Archive
Bertrand Carrière
Chris Coekin
Scott Conarroe
Pete Doherty
William Eakin
Elliott Erwitt
Éliane Excoffier
Fausta Facciponte
Robert Frank
Gilbert Garcin
Jim Goldberg
Cynthia Greig
Sunil Gupta
Joseph Hartman
Dave Heath
Peter Higdon
Josef Hoflehner
Clive Holden
Vid Ingelevics
Sarah Anne Johnson
Ruth Kaplan
Albert Kish
Anthony Koutras
Laura Letinsky
Ian MacEachern
E.J. Major
Luis Mallo
Sanaz Mazinani
Susan Meiselas
Josh Morden
Joan Myers
William Notman Studio
Erin Haydn O’Neill
Vincenzo Pietropaolo
Gerald Pisarzowski
Franz Rosenbaum
Alison Rossiter
Dona Schwartz
William Gordon Shields
Elizabeth Siegfried
Herb Snitzer
Peter Sramek
Jock Sturges
Gabor Szilasi
Sam Tata
Jeff Thomas
Michael Torosian
Larry Towell
Pekka Turunen
Alex Webb
Dawn Woolley
George S. Zimbel
Carl Zimmerman
Dario Zini
Other:
19th, 20th, 21st Century photographs, all types, especially of Canadian content
 Pete Doherty: World's Greatest 5/30/2013 - 6/15/2013 Book Launch: Thursday, May 30, 5-9pm Exhibition Dates: May 30 – June 15, 2013 Bulger Gallery Press is pleased to present, World’s Greatest, a publication that features 60 photographs by Pete Doherty and writing by Stephen Brunt, Jim Christy and Larry Fink. Doherty (b. Ottawa, Canada, 1964) is a self-taught photographer and graduate of the Ontario College of Art, who, for many years, left behind the world of art to become a boxer. After retiring from his amateur career, Doherty returned to the ring with his camera in hand. His photographs primarily document the boxing world in Ontario and New York State, but are representative of professional and amateur boxing throughout North America. The images not only focus on the sport of boxing, but also on the people and personalities that populate that world. His photographs document the emotions and physical challenges of training, fighting, and the win or loss. They also address the politics that make up both amateur and professional fighting. Doherty has participated in numerous solo and group exhibitions. His work can be found at the Portrait Gallery of Canada—Library and Archives Canada, Ottawa, and Wedge Curatorial Projects, Toronto, as well as in many private collections. He currently lives, trains, and photographs in Toronto. A selection of photographs from World’s Greatest will be exhibited in Gallery Two at the Stephen Bulger Gallery from May 30 to June 15. |
 Danny Lyon: The Bikeriders 5/11/2013 - 6/15/2013 Opening Reception: Saturday, May 11, 2-5pm The gallery is pleased to announce its second solo exhibition of work by Danny Lyon. “The Bikeriders” features a selection of photographs by Danny Lyon, one of the most important documentary photographers and filmmakers to come of age in the 1960s, which chronicle the activities of the motorcycle world from 1963 to 1967. Lyon documented the life of the American bikerider in the Midwest from the seat of his Triumph motorcycle, equipped with a Nikon, a Rolleiflex and a seven-pound portable tape recorder. In 1968, his photographs were published in the landmark book, The Bikeriders, which not only launched his career, but also introduced motorcycle counterculture to mainstream America, paving the way for the film Easy Rider. Writing in The Photobook: A History, Vol. I, photographer Martin Parr remarked, “…The Bikeriders, an important and influential work, was one of the first books to bring a new genre to late twentieth-century photography, a genre that became more central as the century progressed… Lyon photographed communities from the inside, making them an integral part of his life for the duration of the project, and even afterwards… The Bikeriders represented a significant step in 1960s American photography, not only launching an important photographic career, but also giving a younger generation of photographers a spokesman of their own age… Lyon was part of the generation he was photographing, so was able to talk with an authentic voice about his subjects, understanding instinctively not only their hopes and aspirations, but also why they were rebelling against all kinds of adult authority.” |